The bad and the beautiful movie

The Bad and the Beautiful

the bad and the beautiful movie

#248) THE BAD AND THE BEAUTIFUL (1952)

and   the   can   can

Though directed with Minnelli's characteristic delicacy, this is essentially a producer's film, made by John Houseman, one of the great figures of 20th-century American theatre and cinema. Houseman's first Hollywood job was supervising the script of Citizen Kane , his second was working for David O Selznick. A producer now down on his luck, Shields simultaneously built their careers and nearly destroyed their lives. Each recalls their experience of Shields, and in the course of an immaculately cast and acted film they paint a warts-and-all portrait of Hollywood at its zenith, a tale of how the bad created something beautiful. Charles Schnee won an Oscar for his script, as did Gloria Grahame for her performance as a ditzy southern belle, Robert Surtees for his black-and-white cinematography and Edward Carfagno for his production design. David Raksin, author of the title song for Laura and onetime pupil of Arnold Schoenberg, should have got an Oscar for his score.

Sign in. The two-time Golden Globe nominee David Oyelowo has an awards-worthy list of must-see shows. See if you're caught up on his picks. Watch now. Title: The Bad and the Beautiful A pretentiously artistic director is hired for a new Broadway musical and changes it beyond recognition. After spending three years in an asylum, a washed-up actor views a minor assignment from his old director in Rome as a chance for personal and professional redemption.

The Bad and the Beautiful is a American melodrama that tells the story of a film producer who alienates all around him. The Bad and the Beautiful resulted in five Academy Awards out of six nominations in , a record for the most awards for a movie that was not nominated for Best Picture nor for Best Director. In , the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry. The theme song, "The Bad and the Beautiful", penned by David Raksin , became a jazz standard and has been cited as an example of an excellent movie theme. Two Weeks is not a sequel however, as the characters in the two stories are unrelated. Movie producer Harry Pebbel Walter Pidgeon gathers them in his office and explains that Shields was calling them because he has a new film idea and he wants the three of them for the project. Shields cannot get financing on his own, but with their names attached, there would be no problem.

Forgot your password? Don't have an account? Sign up here. By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes and Fandango. Already have an account? Log in here.

The Bad and the Beautiful. Minnelli felt the film musical was a stagnant, cliche-ridden form, and he spent the better part of the s revitalizing the musical on the New York stage. So when legendary producer Arthur Freed drafted him from Broadway in , Freed made an unusual arrangement: Minnelli could come and simply observe things for a year with pay at the new MGM musical production outfit Freed was putting together with dancer Gene Kelly, composer Roger Edens, and choreographer Robert Alton. If Minnelli remained convinced that the screen musical was incapable of transformation to a high art, he could return to the main stage. Minnelli's passion for making movies was kindled during this time, but so was his ability to view his cronies' and his own artistic and personal obsessions dispassionately, even clinically. What the Hollywood Minnelli saw on this remarkable sabbatical was out of a script by Salvador Dali, a melange of truly surreal impressions. Instantly, the entire studio turned itself inside out to produce a number based on, well, uh.

The Bad and the Beautiful is director Vincente Minnelli's and producer John Houseman's quintessential movie about Hollywood and moviemaking. It tells the steamy story of the ruthless eighteen-year rise and fall of a tyrannical, manipulative Hollywood movie tycoon - told in flashback and from multiple perspectives from the point of view of a director, actress, and Pulitzer Prize-winning writer. The brilliant film about the behind-the-scenes machinations, workings and atmosphere of the celluloid world was written by Charles Schnee and based upon a short story in the February issue of Ladies' Home Journal by George Bradshaw titled "Tribute to a Bad Man. It was one of the earliest in a long succession of films some cynical and critical that satirized, skewered or examined the makings of films in the tawdry 'Hollywood' dream factory, including among others :. Trailers, however, described this picture as "not the Hollywood of yesterday, but Today's Hollywood, showing the working of both a great motion picture Studio and behind-the-scenes of what makes Hollywood tick.



The Bad and the Beautiful review

The Bad And The Beautiful Trailer 1952

.

.

.

.

.

.

.

4 thoughts on “The bad and the beautiful movie

  1. The Bad and the Beautiful , American film drama, released in , thathighlighted by an Academy Award -nominated performance by Kirk Douglas helped solidify the unflattering popular image of the ruthless Hollywood mogul.

Leave a Reply

Your email address will not be published. Required fields are marked *